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Lillyn Brown (born Lillian Thomas, April 24, 1885 – June 8, 1969),〔("Lillyn Brown", ''Oxford Index'' ). Retrieved 15 July 2014〕 sometimes credited as Lillyan Brown, was an American singer, vaudeville entertainer and teacher who claimed to be "the first professional vocalist to sing the blues in front of the public", in 1908. She was billed as "The Kate Smith of Harlem" and "The Original Gay 90's Gal".〔 ==Biography== She was born in Atlanta, Georgia on April 24, 1885 as Lillian Thomas. According to the ''New York Times'' she was the daughter of an African-American mother and French father, though other sources suggest that her father was Iroquois.〔(Gloria Brown, "Brown, Llillyn", in ''Black Women of the Harlem Renaissance Era'', Rowman & Littlefield, 2014, p.32 )〕 She was light skinned and "some black friends said that they did not realize she was a Negro until she told them."〔 She first performed in 1894 as "The Indian Princess" with an all-white female string band; and by 1896, billed as "The World's Youngest Interlocutor", was performing in minstrel shows as a male impersonator,〔( Biography by arwulf arwulf, ''Allmusic.com'' ). Retrieved 15 July 2014〕 often credited as E. L. Brown to disguise her gender. She developed an act in which she wore top hat and tails, sang several songs as a man, and then revealed her long hair and continued singing as a woman.〔( "Lillyn Brown", ''African, Black and Diasporic History'' ). Retrieved 15 July 2014〕 She claimed to be the first professional vocalist to sing the blues before a public audience, in performances at the Little Strand Theatre in Chicago in 1908.〔 In 1918, she replaced Esther Bigeou as the female star of the popular musical comedy ''Broadway Rastus'' in New York. She made her only recordings in March and May 1921, a few months after the pioneering blues recordings by Mamie Smith. Brown recorded for Emerson Records, backed by the Jazz-Bo Syncopators, a band that included Ed Cox (cornet), Bud Aiken and Herb Flemming (trombones), Garvin Bushell (clarinet), Johnny Mullins (violin), and Lutice Perkins (drums).〔 In all, she only recorded four tracks – "Ever Lovin' Blues", "If That's What You Want Here It Is", "The Jazz Me Blues", and "Bad-Land Blues".〔( "Lillyn Brown and her Jazz-Bo Syncopators", ''RedHotJazz.com'' ) Retrieved 15 July 2014〕 They were then reissued under different names by other record labels; as by Maude Jones on Medallion, Fannie Baker on Oriole, and Mildred Fernandez on Regal.〔 Lillyn Brown appeared on Broadway, toured in Europe, and performed at many of the major nightclubs in Harlem and on the Keith vaudeville circuit. She announced her retirement in 1934,〔 but appeared in 1938 in the Broadway show ''Sing Out the News''.〔 In 1949 she appeared in Marc Blitzstein's opera ''Regina'', at the 46th Street Theatre in New York.〔〔 In 1952 she appeared in a short-lived revival of ''Kiss Me, Kate'' on Broadway.〔〔( "Lillyn Brown", ''Internet Broadway Database'' ). Retrieved 15 July 2014〕 She operated an acting and singing school in Manhattan during the 1950s, and taught at the Jarahal School of Music in Harlem.〔 She also wrote, performed and produced plays for the Abyssinian Baptist Church,〔 and was active in the African American Actors Guild.〔 Her final public performance was at a tribute concert for Mamie Smith in 1964.〔 She died in Manhattan, New York City on June 8, 1969 at the age of 84.〔 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Lillyn Brown」の詳細全文を読む スポンサード リンク
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